| Prolog | |
|
for mezzosoprano and orchestra (2020) words by Kerstin Hensel | more |
|
| Meditation zu Psalm 119 | |
|
for soprano, speaker and organ (2017) | more |
|
| 'wachet recht auff' - ein Oratorium zu LUTHER | |
|
for solists, 2 choires, orchestra, brass ensemble and organ (2016/17) words by Kerstin Hensel | more |
|
| Weh! Oh! unsere Götter! | |
|
or two sopranos, piano and percussion instruments (2016) lyrics by Kerstin Hensel |
|
| Fluctus sonorum |
|
|
for 9 female voices, harp, piano and organ (2010/11) | more |
|
| blau rot soft für 3 Soprane | |
|
co-composers Susanne Stelzenbach and Max E. Keller (2009) | more |
|
| five spaces for six voices |
|
|
for Vocalensemblewith with 6 voices | more |
|
| Mare Crisum II | |
|
for soprano, saxophon, bass clarinet and sound installation (2005) ( co- author Susanne Stelzenbach) | more |
|
| Mare Crisum | |
|
for 3 sopranos, 8 instruments and tape (2004) (co author Susanne Stelzenbach) | more |
|
| singstimme | |
|
for soprano and Schüttelrohr (2003) | more |
|
| sentimentales rondo | |
|
for soprano and claves (2003) | more |
|
| Floreszenz I/II | |
|
für Sopran, Saxophone und Sampler (1999) (in Co-Autorenschaft mit Susanne Stelzenbach) | more |
|
| Schreistück | |
|
aus der MusikTheaterInstallation open windows 2.0 (1998) (in Co-Autorenschaft mit Susanne Stelzenbach) | more |
|
| Unter Holz | |
|
für Alt-Stimme, Klavier und Tonband (1996) | more |
|
| Der Irrgast | |
|
für Alt-Stimme und Klavier (1996) Text: Richard Pietraß | more |
|
| Eine Messe / elf Lieder für Federico | |
|
for mezzosopran, piano and tape (1987) words by Federico Garcia Lorca and Uwe Kolbe co author tape: Susanne Stelzenbach | more |
|
| 27 Etüden zu zweit | |
|
Szene für Sängerpaar und Streichquartett (1985) | more |
|
| gehauen und gestichelt | |
|
5 + 1 Epigramme für gemischten Chor a cappella (1983) Text: Henryk Keisch | more |
|
| Zwei Goethe-Chöre | |
|
für gemischten Chor a cappella (1982) | more |
|
